The Trimode™ tube distortion takes you from slight overdrive to full-on distortion. Think Mesa-Boogie in a pedal and switch instantly from rhythm to lead.Classic-V9
The Tonebone Classic-V9™ is an ultra-responsive distortion pedal that lets you precisely adjust and focus the intensity of the distortion to suit your playing style and develop your own musical voice.Hollywood
The Hollywood is a dual-mode distortion that delivers everything from slight overdrive to super-saturated solos. Think of it as a solid state version of the famous Tonebone Classic.Plexitube
The Plexitube™ delivers five generations of Marshall in a box. Triple gain stage delivers fat, harmonically rich tones that let you switch from rhythm to lead.Hot-British V9
The Hot-British V9™ is an updated solid-state version of the venerable Tonebone Hot British™ tube distortion pedal.London
The London is a super compact Marshall in a box. Features super rich, fat tones and dual-mode operation to seamlessly switch between rhythm and lead for soloing.Texas-Pro
The Texas-Pro is a compact but extremely powerful dual-function pedal, providing a versatile overdrive circuit as well as a high output signal booster.Regency
The Regency™ is a new type of pedal designed specifically to pre-emphasize the gain stage of today's high gain amps.North-Star
The North-Star™ is both an overdrive and a high-output power booster combined in one versatile and compact pedal.
The Vienna Chorus™ is vintage bucket-brigade chorus that delivers old-school analog tone. Dual-mode controls lets you switch from slow to fast choral effects like a Leslie.Vocoloco
The Voco-Loco™ is a foot-controlled effects loop that enables the lead vocalist, sax or trumpet player to incorporate guitar effects pedals into the signal path, just like an electric guitarist adds effects for soloing.MIX-BLENDER
The Mix-Blender™ is a multi-function pedal that lets you mix two instruments or effects together and then send the combined signal through a mixer-style effects loop for processing.
The Switchbone V2™ may well be the ultimate ABY/C guitar amp switcher. This device lets you switch and combine up to three guitar amplifiers without introducing distortion, switching noise or hum into the signal path.Loopbone
The Loopbone™ is a high-performance effects-loop switcher that enables the guitarist to insert, remove and combine pedals via two independent signal chainsHeadbone
The Headbone™ is a specially designed switching device that lets you toggle between two different guitar amplifier heads using a single speaker cabinet.Twin-City
The Twin-City™ is a class-A ABY switcher with Drag Control that delivers your guitar tone without introducing harsh sounding artifacts. Ground isolated to eliminate hum and buzz from gournd loops.MIX-BLENDER
The Mix-Blender™ is a multi-function pedal that lets you mix two instruments or effects together and then send the combined signal through a mixer-style effects loop for processing.Cabbone
The Cabbone™ lets you switch between two speaker cabinets using a single amplifier head. You will not believe how changing the cabinet can affect your tone!BigShot ABY
The Radial BigShot ABY™ is a compact ABY switcher that enables you to either switch between two amplifiers or combine the signal when you want both amps to play at the same time.BigShot EFX
The BigShot EFX™ is a true-bypass effects loop switcher that lets you set up two separate effects loops and insert them into your pedal chain at will.BigShot IO
The Radial BigShot i/o™ is an easy to use instrument selector that lets you quickly transition between any two instruments and send out the output signal to your amp.BigShot SW2
The BigShot SW2™ is a two channel universal remote control that can be used to replace the two amplifier foot switches and combine their main functions with a single pedal.PZ-Select
The Tonebone PZ-Select™ is a unique pedal designed to work with today's new breed of electric guitars and basses that employ both magnetic and piezo pickups.Twinline
The Radial Twinline™ is a unique device that enables a guitarist to share effects pedals between two amps when using the amplifiers' built-in (rear-panel) effects loops.Headlight
The Headlight™ is a unity gain guitar amp selector designed to easily integrate on a pedalboard and allow the artist to seamlessly switch between as many as four amps using a single footswitch.BigShot MIX
The BigShot MIX is an innovative pedal that lets you blend the original sound of your instrument with your effects pedals just like a studio mixer.
- PREAMPS & BUFFERSPZ-Pre
The PZ-Pre™ is a power-packed preamp that lets you switch between two acoustic instruments and feed the PA with a built-in Radial direct box. Piezo optimized for orchestral instruments.PZ-Deluxe™
The PZ-Deluxe™ is a studio quality instrument preamp that jam-packs a full array of features into a compact pedal for live stage use. Ideal for all acoustic instruments.Bassbone OD
The Bassbone OD™ is a bass preamp with two instrument input channels, each of which is fully equipped with a level control, super powerful passive-interactive EQ and a low frequency filter to help eliminate resonance.PZ-Select
The Tonebone PZ-Select™ is a unique pedal designed to work with today's new breed of electric guitars and basses that employ both magnetic and piezo pickups.Dragster
The Dragster™ is a super-compact load correction device that lets you adjust the load on your electric guitar pickup to make your instrument sound natural in the PA or when recording.Bassbone V2
The Bassbone V2™ is a power-packed bass preamp that combines on-stage efficiency, amazing tonal control and superb audio performance in a compact box. This makes it the ideal front end for both live and studio recording.ELEVATOR
The Elevator™ is a unique class-A multi-level power booster and buffer that provides the guitarist with a degree of customization to better match their playing style.BigShot PB1
The BigShot PB1™ is an ultra clean 100% discrete class-A power booster with Drag Control load correction and switchable mid-range boost. Likely the best power booster ever made.Stagebug SB-15
The Radial Stage Bug SB-15™ High Performance Signal Buffer lets you drive guitar pedals without added noise and also powers 15V Tonebone pedals.SHOTGUN
The Shotgun™ is a compact guitar-level signal buffer designed to drive up to four amplifiers simultaneously and fit nicely on any pedalboard.MIX-BLENDER
The Mix-Blender™ is a multi-function pedal that lets you mix two instruments or effects together and then send the combined signal through a mixer-style effects loop for processing.BUMPER
The Bumper™ is a unity gain instrument selector that lets you connect up to four instruments and progressively advance through each input using a sequential footswitch.Switchbone V2
The Switchbone V2™ may well be the ultimate ABY/C guitar amp switcher. This device lets you switch and combine up to three guitar amplifiers without introducing distortion, switching noise or hum into the signal path.JDX Direct-Drive
The Radial™ JDX Direct-Drive is a unique and powerful device that emulates the sound of a guitar amplifier while doubling as a direct boxStageBug™ SB-15 Development
Over the years, Radial has gained tremendous accolades for the sound of our signal buffers. Buffers are most often unity gain amplification circuits that enable the circuit designer to manage the signal and make it do something. That 'something' could be the input section of a distortion pedal, a phase shifter or simply drive the input to a tuner.
As with anything… not all buffers are created equal. In fact, buffers – or shall we say – less than ideal buffers, are the primary reason that more discerning guitar players prefer 'true-bypass' pedals and hate the sound of wireless systems. So why do guitarists hate the sound of buffers? It actually has to do with several factors including the type of circuit being used, the part selection, how the circuit loads down the pickup and noise.
Ask any audiophile and they will tell you that class-A circuits sound the best. The reason for this is actually quite simple. Class-A circuits use a single gain stage to amplify both the positive and negative side of the wave. The problem with class-A circuits is that they are very inefficient. This makes them a terrible choice for integrated circuits or ICs that pack thousands of transistors into a small, highly efficient and low cost chip. Guitarists don't give a hoot about saving calories… they want tone.
Chips or ICs are amazing! They generate tons of positive gain in a very small package… in fact so much gain that they require huge amounts of negative feedback to keep them in check and make them controllable. For cell phones, TV sets and car radios, they are great! But for toniacs… the massive amounts of negative feedback makes the guitar sound thin and electronic. By employing discrete transistors at each stage, we can eliminate most of the negative feedback and it ends up sounding more natural.
Loading the pickup
Blame it on Leo Fender! Over the years, we have come to realize that solid state circuits react differently than tube circuits. When Leo launched his first tube amps, he chose 1 meg-ohm as the perfect load for his Fender Telecaster. So the world followed. Way back in 2001, we realised that the solid-state front end actually sounds and feels more tube-like when you lower the impedance to 220k-Ohms. This led us to develop Drag™ Control – a simple circuit that lets you adjust the load to suit your playing style and setup.
There is no substitute for experience. Our team of engineers each have over 40 years of experience in circuit design. This means that they do not 'guess' as to what signal trace should go where and what part may induce noise into the next, they know. This knowledge results in lower noise and greater longevity without failure. There are more expensive products out there… but very few are better.
These are the components that make up a great sounding buffer.
The Tonebone Connection
Over the years, we have received many requests to make our big Tonebone pedals work with 9V power bricks. Although 9 volts is plenty for average pedals, the higher voltage (15V) and double the average current (400 milliamps) increases the headroom and dynamic range.
So instead of reducing the quality… we have come up with a cool solution… take two 9V outputs from a power brick and combine them to deliver the 15 volts!
- PREAMPS & BUFFERS